BIGGEST BOOK SITE
There's no end to the reading material you can find on the Web. Check out these 11 great book websites that every reader will fall in love with. A Game Of Thrones. George R. R. Martin. Bantam Books. ISBN The Next Person You Meet In Heaven. Mitch Albom. Little, Brown Book G. INFORMATION hygiene is a must on a website with a billion titbits about millions of books. In the case of Goodreads it is maintained by an army.
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A guide to most popular sites where you can read books online, with detailed Nowadays, the internet is a major tool to find products we need. We' sorry, our site is currently unavailable. The was an issue retrieving the authorization token. OFFERS + REBATES. INK + TONER SEARCH. Go. Select from. POPULAR's one-stop retail concept provides a comprehensive range of merchandise, including books, educational resources, stationery, multimedia, Gadgets.
After all, the site's visitors are there to find out about books, so advertisements often pique their interest. The firm's approach is to engage publishers actively. They provide advance reading copies to Goodreads members, who help to spark interest when a book is released with early reviews and buzz.
Goodreads also encourages authors' participation. It does not act as intermediary between author and reader, though it does solicit well-known authors to participate in question-and-answer sessions that unfold over days through a discussion thread.
Authors are also free to talk to and hear from readers directly whenever they wish. They may also purchase ads, whether for self-published novels or books marketed by major publishers. Independent bookshops were predicted to be extinct by now. They remain under pressure, but continue to champion mid-list titles, which sell in the thousands or tens of thousands of copies and produce a tidy, albeit small profit for a publisher.
Such stores' staff "handsell" books, making patrons aware of a sleeper they might like, some of which then sell enough copies to make the author a little money and get another contract signed. Mr Chandler notes that a bookshop's greatness is a function of its staff's knowledge; a customer must believe that a book is being offered because it's good, and trust that judgment because of the offerers extensive bibliophile nous.
In this respect, no brick-and-mortar comes close to Goodreads' collective bookishness. Join them. Subscribe to The Economist today. Media Audio edition Economist Films Podcasts. New to The Economist?
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But the audience misses its cue. Look at them ignoring Gogo: They're poring over cartoons -- translations of "Calvin and Hobbes" and of Japanese manga -- and the locally drawn "Legend of Nezha" books, which held 10 of the top 11 places on a Chinese best-seller list last year.
Others turn the pages of a Garfield English-Chinese dictionary, which contains no entry for lasagna, but one for tofu. Forty focused children crouch on Book City's fourth floor, and 40 more gather at the neighboring nook, and 40 after that.
It's calming to reach this pool of prepubescence amid the chaos that is Book City, whose five floors hold , titles. Downstairs, the crowds are dense and the juxtapositions jarring.
But translations into Chinese make up only 6 percent of the , books printed in China in This is according to China's statistical yearbook and a definitive book on publishing, which offer the most reliable figures available on the Wild West atmosphere of the Chinese book market.
At Book City, shoppers face an entire floor of English-learning materials. One, "Love English," offers pick-up lines and pillow talk with cultural hints. Among its instructions: Eighty percent of China's 72, booksellers are private, but nationalized stores ring up two-thirds of sales. At Book City, the Communist Party tracts sit neglected.
Instead, crowds jostle toward a nearby shelf with business titles like "Confronting Reality," "New Leadership" and "Change the Tape of China.
Book City is overwhelming. The din, the eager customers, the slippery stacks of oversized paperbacks -- hardcovers are less common -- whose covers call out: The copyright page reads: Chinese best sellers often see their themes repeated. A whole pack of lupine imitators followed the successful novel "Wolf Totem. Outside Book City, the view is pure New Beijing: The squat buildings still feel new; memories of the old neighborhood linger.
A man reminds me that before one of the capital's 44 Starbucks opened across this square of brown grass, before Book City, this was the site of Democracy Wall, where Beijingers posted demands for openness and reform. Now, they shop for books.
In fact, Book City has so many customers that it figures into the planning for the Beijing Olympics. Plans call for doubling the existing building so it can accommodate , shoppers at once.
After a decade in China, I thought I'd seen it all: But nothing prepared me for its publishing industry, in puberty. Adrian Zackheim, the publisher of the Penguin Group's business imprint, Portfolio, has a similar take.
Though I might not be so charmed by it if I had to make my living there. It's a constant struggle for many Chinese presses. Technically, his press -- along with all of China's private publishers -- is illegal.
Publishing, however, remains under the control of the state-owned presses. As the author of "Publishing in China: Over tea at the private bookstore attached to the national legislature, he did his ambassadorial best to show that the industry was as clean and clear as the diagrams he drew for me on the backs of his press clippings. In reality, the situation is far less defined.
At the heart of the state press's power is its control of the nation's market in International Standard Book Numbers, or ISBN's, the bar-code-like number that identifies a book for commercial consumption. Without one, a book can't be published in China, with the exception of party tracts and state-sanctioned religious texts.
Among the religious books on sale at the Xishiku Cathedral in Beijing are Bibles, the catechism and "God, Country, Notre Dame," the autobiography of the university's former president. But as in so many other sectors of China's economy, a parallel, unofficial market in ISBN codes has mushroomed among China's estimated 30, private publishers.
Known as "culture houses" or "booksellers," they act like packagers: Agreements can also include the sharing of production costs, marketing and distribution. It's considered an openly illegal system, tolerated to a point.
The World's Biggest Book Market
Officially, the buying and selling of ISBN's is forbidden. In a round of recent speeches aimed at culling pornography and other "illegal publications jeopardizing social stability," government officials vowed to crack down on culture houses, calling them "malignant tumors that must be excised. The question is at what cost. In the West, packagers are often considered "hired help," he says.
But in China, it's the reverse. Although the state ostensibly controls publishing, it relies on the private culture houses to do the heavy lifting. Paul Richardson, the founder of the Oxford International Center for Publishing Studies and a close watcher of the Chinese publishing scene, anticipates that one day the General Administration of Press and Publication will sell book numbers itself, and "legitimize" the entire process.
There are "clear messages from officials this is coming," he says. For now, culture houses provide private entrepreneurs the only door into the industry. Even then, it's a struggle. Gao Yun, a photographer, and his wife, Cheng Yanbin, an editor, poured their life savings into creating the "China on Foot" guidebooks.
They found a willing partner in China's largest tourism press. Cheng says, proudly patting the book's cover.
View all New York Times newsletters. The story of Yang Erche Namu, a Beijing author and onetime popular singer, is also telling. She estimates the book sold two million copies, not counting pirated editions. In China, authors and editors rarely forge a lasting bond. For each of her successive 11 books, Namu has worked with a different publisher.
Now they pay advances against royalties, but, given unreliable sales data and piracy, she says she still can't support herself from writing.
Instead, she relies on income from guesthouses she owns in her native village.
She has also started a lingerie line, for which she is seeking backers. These are the stories that make agents wince.Revenue remains subdued and secret , relying almost entirely on advertising from publishers and authors clearly labeled as such.
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