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Living Like a Runaway: A Memoir [Lita Ford] on pixia-club.info *FREE* I had just read some dense books prior to this, so Ford's book was a nice break. Start by marking “Living Like a Runaway” as Want to Read: Wielding her signature black guitar, Lita Ford shredded stereotypes of female musicians throughout the s and '80s. This is the second time the book has been pushed back. HarperCollins Publishers: World-Leading Book Publisher AUTOBIOGRAPHY>; Composers & Musicians>; Living Like a Runaway - Hardcover by Lita Ford.

Lita Ford Living Like A Runaway Book

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Living Like a Runaway is the eighth studio album from American rock-musician Lita Ford, . Discography · The Runaways. Wikipedia book Book:Lita Ford. Lita Ford's new memoir,Living Like a Runaway, is jam packed with I recently spoke with Ford about the book and her new album, Time. Louder Than Hell: An Oral History of Heavy Metal). After reading Lita Ford's book “Living Like a Runaway: A Memoir “, it didn't take long for it to.

Lita comes across as a genuine person who has suffered a lot in the last 20 years. But the truth is, this book is badly written. Her co-writer must have worked for cheap.

The storytelling is amateurish, with confusing chronology even from paragraph to paragraph. It starts with Dee Snider's smoke-blowing preface though the story he tells does take on some more emotional heft when we hear the same one from Lita's perspective towards the end of th I feel a little bit guilty rating this book so low.

It starts with Dee Snider's smoke-blowing preface though the story he tells does take on some more emotional heft when we hear the same one from Lita's perspective towards the end of the book , and it just stays on a low level from there.

I understand that Lita's not highly educated -- but then, that's why you get a good editor and co-writer. The Runaways period is the best in the book for me, especially since we have heard the stories from Joan and Cherie.

It's nice to see Lita's side of things. Once that period ends, it becomes half music memoir and half groupie memoir. Ford devotes about a third of the book to her four years creating rock history with the Runaways.

There are several reveals, some charming, some alarming. The ditty about nipple-hardening turn-ons that Lita and Sandy West used to sing on their long drive from Huntington Beach to Hollywood offers a distinctly distaff spin on the usual road-rash silliness.

But on tour in Japan, Ford wound up in the hospital after waking up with a stranger in a bed full of blood; she still does not know exactly what happened that night, which left her with 14 stitches.

Ford is mostly appreciative of the infamous Fowley, who died months before Fox's story came out. She is not overly kind to any of her former bandmates and is particularly hard on Joan Jett and Joan's longtime manager Kenny Laguna.

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She does dedicate the book to West, the ill-fated Runaways drummer who struggled with addiction and died of cancer in Sex and drugs distracted the Runaways from rock 'n' roll, Ford writes, and that she — the only serious musician — just wanted to play music. That's rather unsisterly but typical of Ford's bravado — this is not a woman who suffers from low self-esteem.

As that broken nose warned, Ford has a hot temper; she underplays the role her own violence played in upsetting band relations. Early on, she quit the Runaways in part because she was freaked out that other members were lesbians. She got over that, blaming her own cultural ignorance — but she never addresses how navigating a hostile world in the s might have been harder for young lesbians afraid to reveal their sexuality than it was for Lita, a hot straight-cis blond.

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Lita doesn't get analytical like that. Most of these dalliances sound like fun, well-earned brags. However, there were lows: Ford ended her engagement to Black Sabbath's Tony Iommi after her onetime jukebox hero allegedly started punching her in the face. She was a monster guitar player, she could sing her ass off, and even my young self could hear her fire and her determination to prove herself in a male dominated world.

Lita Ford kisses, rocks and tells in her long-awaited memoir 'Living Like a Runaway'

By the time the Lita album was released, I was a full on fan and I followed her all the way up to her Dangerous Curves albums which is where I lost touch with her material. Over the years I would always revisit her catalog and enjoy her material but her life story was something I never really thought too much about.

As a young teen reading rock magazines, I was familiar with her marriage to W. When I heard she was putting out Living Like a Runaway: A Memoir , I just knew that this was a book I had to read. It takes me forever and a fucking day to read even some of the best written autobiographies but this book was read in no more than 5 days.

A Memoir is a story of struggle, determination, and survival. Lita did not hold back at all when it came to talking about her abusive relationship with Tony Iommi who apparently suffered from cocaine dick or even her sexual conquests which I honestly had to give her a high five for.

Living Like a Runaway:She added, "[The album title] Living Like a Runaway means freedom and empowerment. All we did was remix.

Living Like a Runaway

The Best of Lita Ford Your book mentions quite a bit about your parents and growing up. They had to learn to read and write, and I was the only one there who was going to teach them. What was the writing process like?

Learn how your comment data is processed. There were 15 analog tapes I had in the Caribbean house that I had to go back and get during my divorce.

Since its release, Living Like a Runaway has been met with positive reviews.

CHARIS from Grand Prairie
Look over my other articles. One of my extra-curricular activities is watching sporting events. I do relish sharing PDF docs doubtfully .